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SOSUS

During the cold war, the United States military created the Sound Surveillance System (SOSUS), comprised of a series of underwater microphones, to listen for Soviet submarine activity. Now, SOSUS is a blog related to an indie radio show at WJHU (Johns Hopkins Radio), organized by Samuel Messing. This blog displays information related to each week's broadcast, as well as reviews of artists (contemporary and not so contemporary) by the DJ.

 

Interview Tonight!

Tonight I will be interviewing Tim Westergren, the founder of the Music Genome Project and Pandora. The interview will take place at 10 PM EST tonight, and you can listen by going to WJHU's Radio Webpage and clicking the "Listen Now" link at the top of the page, or by clicking here.


The interview will mainly focus on Pandora, as well as Westergren's current cross country trip. After the interview is done I will probably host a podcast link, so don't worry if you can't listen at 10 PM. Also, there will be a write up of the interview appearing in Johns Hopkins Newsletter, probably next week. (I will post a link to the archives when I know where it is).

Thats it for now.

 
 

TV On The Radio At Sonar

This past Friday night, a few hundred people were witness to the liveliness of TV On the Radio, a band which blends hip-hop, noise and rock to create an entirely unique sound. Originally formed by members Tunde Abdebimpe (vocals/loops) and David Andrew Sitek (guitars/keys/loops), the group made its debut with the self-released album OK Calculator. After its release, Abdebimpe and Sitek were joined by Kyp Malone (vocals/guitars/loops) and released Desperate Youth, Blood Thirsty Babes (LP) and Young Liars (EP) which won them the Shortlist Music Prize. The band has quickly earned a reputation for creating highly-energetic songs which bridge such a wide variety of genres as soul, electronica, blues and rock. Listening to the band's studio recordings raises questions about how the songs could be recreated live, however on last Friday night, from their opening song, "Wrong Way," TV On the Radio dispelled any fears about their ability to play their own music live.

TV On the Radio's current tour is to promote their major label debut, Return to Cookie Mountain, released by Interscope records. On this latest album the band has grown to include Jaleel Bunton (drums) and Gerard Smith (bass). These new members help flesh out the bands sound, leaving behind the repetitive nature of drum loops and samples for more complicated musical forms. When TV On the Radio started playing "Wrong Way," a song off of Desperate Youth, Blood Thirsty Babes, the band's change was obvious. Bunton and Smith replaced the traditional loops, adding energy and motion to the song. This was somewhat overshadowed, however, but the actions of the lead singer Abdebimpe. From the moment he picked up the microphone Abdebimpe hit his chest the beat of every song, repeatedly knocking over the microphone stand, forcing one of the stage hands to come out almost every song to replace the equipment.

The set consisted largely of songs from Return to Cookie Mountain, including the single "Wolf Like Me," for which the band brought out the singer Katrina Ford, of the band Celebration. Katrina Ford has appeared on several of the bands earlier albums, and was given a loud welcome from the crowd when she took the stage.

Not to be outdone by Abdebimpe, the other members of the band did their part to help get the crowd excited as well. Sitek, most responsible for the aspects of noise found in TV On the Radio's music, appeared on stage with a wind chime tied to the head of his guitar. Throughout the performance Sitek could be seen waving his guitar in front of one of Abdebimpe's microphones. The other guitarist, Kyp Malone, while not as animated as Sitek, spoke to the crowd several times during pauses between songs. His message was mainly political, urging all members of the audience to vote in the upcoming elections.

The other members of the band, Jaleel Bunton and Gerard Smith, were much less pronounced. Bunton, because of his instrument, was largely obscured by cymbals and toms. Smith, because he was playing all of the bass lines as well as recording and playing loops, was forced to squat near his amp for most of the performance.

TV On the Radio ended their solid stage show by calling the members of the opening act, Grizzly Bear, and welcoming back Katrina Ford, to the stage. Malone then proceeded to teach the audience the final chorus line to "Let The Devil In", which they went into as soon as enough of the audience could competently sing it. The studio recording of "Let The Devil In" involves a large amount of percussion, which was supplied by Bunton, Smith, and all of the members of Grizzly Bear. After the song ended, the band left the stage, and returned for an encore performance of "Staring At The Sun," quite possibly their best known song. The entire performance was filled with action and emotion, which didn't reach a peak until the very end of the concert. TV On the Radio have proved themselves over and over to be a band capable of evolving, and responding to the world around them. This is reflected most obviously in their stage performances. As the band moves from song to song, they make sure the audience moves with them, delivering a performance which is unique entirely to them.

 
 

Islands at Ottobar, 10/13/06

After some interesting opening acts, including a fusion of old Yiddish theater and hip-hop, the headlining Islands took the stage. The six piece band takes their love for calypso, Paul Simon's Graceland, and bass clarinet to create a sound all their own. Currently promoting their debut album, Return to the Sea, Islands are currently making their way across America. The band was originally conceived by Nick Diamonds (real name: Nicholas Thorburn) and J'aime Tambeur (real name: Jamie Thompson), both members of the now defunct Unicorns. As The Unicorns, Diamonds and Tambeur accomplished mild success with the album Who Will Cut Our Hair When We're Dead? The band's songwriting resembles Islands with its band-name-themed lyrics ("I am a unicorn / I missed the ark but I could've sworn / You'd wait for me"), but represents an earlier time in Diamond's and Tambeur's songwriting ability. Return to the Sea offers the listener a more eclectic sound, showing evidence of experimentation with many different musical forms. Tambeur eventually left the band, sighting personal reasons. Islands continues on with Diamonds at the helm.

When Islands took the stage, they were met with cheers from a large, excited crowd. "Something seems off about tonight," Nick Diamonds spoke into the microphone, "maybe because it's Friday the 13th." Diamonds opening lines would prove to more accurate than he probably would have wanted them to be. He turned around and picked up his acoustic, placed it around his neck. Diamond struck his first chord and closed his eyes, reading to being singing the song "Don't Call Me Whitney, Bobby." Before he could open his mouth, he opened his eyes; no sound was coming out of his guitar. The other members of the band started waving to the man in the sound booth. Putting down their instruments, the band spent the next few minutes trying to fix the problem.

As the band worked several members of the crowd, either drunk or juvenile, started heckling Islands, shouting "Bo - ring!" and clapping their hands. Diamonds in particular seemed very agitated by this, and the members of the band eventually left the stage, save one, who continued to work on the problem. After twenty or so minutes had passed, Islands came back on stage, deciding to perform without the aid of the acoustic guitar. Diamonds was visually upset because of all of the heckling, showing this clearly as he flipped-off some of the members of the audience before picking up his white electric guitar.

From the first song, Islands were determined to make up for lost time. They move from song to song quickly, playing both newly written songs as well as some of the more popular songs off of Return to the Sea, including "Rough Gem," "Swans (Life After Death)" and "Where There's a Will There's a Whalebone." The band performs very well together, each of their songs modified for the live show. Probably one of the most interesting songs during the concert was the song "There's a Will There's a Whalebone." On Return to the Sea, the song features the rapping of both Busdriver and Cadence Weapon. For the performance at the Ottobar, in place of the rap section Islands featured a dueling violin solo by the band's Alex and Sebastian Chow. Even with six members, every person besides the drummer and the bassist covered two or more different parts. While the songs progressed the lead guitarist, Patrick Gregoire, switched back and forth from guitar, to bass clarinet, and back.
The concert reached a boiling point when a heckler between songs managed to rise another response from Nick Diamonds. "Why do you have to say that man?" Diamonds asked the audience member, "have some tact." Unfortunately for everyone else, the heckler wouldn't stop, and after a few more songs Diamonds reached his breaking point. "I am doing everything in my power not to throw down this guitar, and beat the shit out of you." Diamonds, who was the least lively of the band all night, now took center stage, "It's been a fucked up day. I've been trying to get into it all night, but you just won't let me." Diamonds covered his eyes and looked to the back of the club, "can we get this guy thrown out of here?" Before too long a bouncer arrived and escorted the heckler out of the club.

As soon as the heckler left, Diamonds seemed to loosen up, and by the last few songs, started to become animated. The band ended their set with "Bucky Little Wing", and "song about friendship and happiness" as introduced by Diamonds, and "Volcanoes". Interruptions aside, Islands put on an energetic and fun show. The band feels more like a local group of college seniors than a cross-country-touring group. This level of approachability, often hard to find in this era of aloof hipsters, allow the audience to really become involved with the performance. Islands proved this impression to be true after the show, when a few of the members, including Sebastian Chow and Nick Diamonds, came out to talk to the people still in the venue. If given the chance, Islands are definitely worth seeing live. The bands highly integrated songs, featuring tightly coordinated bass guitar and bass clarinet lines, recorder solos and violin swells, create a sound impossible to duplicate.

By Red Dragon & Zephyr
On Wednesday, October 18, 2006
At 3:25 PM
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